Inside This Week’s Antiques Auction Market – 63 Upcoming Sales inc Art, Jade Carvings & Estate Jewellery

Burns and Co have built their name on classic and collectable cars, bikes, and the sort of memorabilia that gets serious bidders clearing their Sunday. This one’s running as a livestream event, so you can sit in your shed and throw a bid without burning diesel to Beresfield. The catalogue leans heavy on motorcycles, with plenty of older Japanese and British iron, plus the usual run of enamel signs, manuals, and workshop tools that fill out a collectors’ sale.

Standout lots are the kind of thing you’d normally chase at a dedicated classic vehicle auction: original-condition bikes with matching numbers, period-correct accessories, and racing memorabilia with provenance. If you’re after a project or a tidy weekend rider, there’s likely something here. Check the lot photos carefully, because condition varies wildly, and ask Burns and Co for a condition report if you’re unsure. Bidding closes on 10 August, so register early and watch the livestream to gauge where the real interest sits.

Lawsons, the Annandale-based auction house, is putting together a solid lineup for this one. While the full lot list is still coming together, the categories point to a broad sweep of art and collectables, which is typical of their weekly sales. The company collection angle means you’re likely looking at pieces sourced from a single corporate hand, so there’s a decent chance of cohesive taste and consistent condition throughout.

Paintings look to be the anchor here, but the collectables side could throw up some interesting surprises, from decorative objects to smaller antique pieces. If you’ve bought from Lawsons before, you’ll know their catalogues tend to mix the expected with the occasional curveball, so it’s worth scanning the full list when it drops. Melbourne buyers can inspect in person, but interstate punters should factor in shipping costs, especially for larger framed works. Set aside time to go through the condition reports, as art can be a lottery if you’re bidding blind.

Leonard Joel’s specialist sale leans heavily on Persian and tribal weaving, with sizes that suit large living areas or formal rooms. Standouts include the AN ARCHAEOLOGY DESIGN KASHMAR RUG at 400cm by 300cm, plus two classic hand-knotted Persian carpets: a Kashan at 401cm by 300cm and a Sarouq at 300cm by 203cm. If you prefer something less traditional, the contemporary over-dyed Tabriz and the new Cosmos designer piece at nearly 4 metres wide offer a modern twist without losing the hand-knotted quality.

The circular Sultanabad design rugs, one at 199cm and the other at 239cm, are worth a closer look for dining or entry spaces. There’s also a nomadic pictorial Persian Qashqai at 287cm by 164cm, which brings a distinct, story-driven pattern to the mix. The Afghan Kazak kilim at 299cm by 200cm is a flatweave option, handy for high-traffic areas.

Bidding closes 3 September 2026, and with 12 lots confirmed, it’s a manageable catalogue to assess. Check the condition notes and dimensions carefully, especially for the older pieces. The auction is timed online only, so factor in your maximum before the close rather than getting caught in a last-minute scramble.

This sale leans heavily into the collectable design market, with a clear focus on the bold, colourful era of 1980s Memphis and its contemporaries. The Zanini teapot and Bedin lamp are the kind of pieces that draw serious design buyers, but the furniture lots carry the weight here. The Binforé sofa is a sculptural statement piece, while the Shiro Kuramata ‘Sofa with Arms’ for Cappellini offers a rarer, more refined line. The Roberto Monsani illuminated wall unit for Acerbis is a standout for anyone looking to light up a room with a single conversation piece.

Beyond the big names, there is a pair of postmodern torchiere lamps and an Italian dining table that could offer a more accessible entry point for someone starting a collection or kitting out a modern interior. The Gianni Moscatelli set of four ‘Poney’ swivel chairs for Formanova adds a playful, functional element. Note the Newson piece is listed as attributed, so factor that into your bidding. The sale closes 7 September, so get your bids in early to avoid the last-minute scramble.

This one leans heavily on 19th and 20th century painting, with a strong showing of Australian names. The Heysen is the headline piece, an early oil from his time abroad, and the Haughton Forrest Tasmanian river scene is a tidy example of colonial landscape work. The Will Ashton of Berry’s Bay, painted in 1956, should draw interest from Sydney collectors.

The Rubery Bennett run is worth a look if you’re chasing smaller works. Seven oil on board landscapes, mostly Victorian alpine subjects like Mt Bogong and Mt Feathertop, plus a couple of outback scenes. They’re compact, framed, and a decent way to build a collection without chasing the big names.

Also keep an eye on the William Frater abstract from 1938, which sits apart from the landscapes and could appeal to someone after a bit of modernism. The W. D. Knox valley view is a solid mid-tier lot as well. Leonard Joel runs these sales regularly out of South Yarra, so the cataloguing is reliable and the condition reports are worth requesting before you bid.

This one’s for buyers who know the difference between a reproduction and the real deal. The catalogue leans into proper antique furniture, with timber pieces that’ll hold their value, plus a decent spread of Australian art that should draw local interest. Asian antiques add another layer, so there’s scope for collectors chasing ceramics, bronzes, or carved items with provenance.

Christian McCann has a solid rep for sourcing quality over volume, so the condition and presentation should be a cut above the usual estate cleanouts. If you’re after something specific, get in early and inspect, because the good stuff tends to move fast once bidding opens. Abbotsford’s easy to get to, and the close date gives you time to do your homework.

This one’s for collectors who rate the women of Australian art history, not just the big male names. The standout lot is probably Mary Cecil Allen’s *Reflections* from around 1920, still in its original John Thallon frame, a solid piece of early modernist painting. But the depth runs further: Sybil Craig’s *Camellias* and Violet McInnes’ *Carnations* show the flower-piece tradition at its best, while Jo Sweatman’s *Valley Landscape* gives you a larger canvas at a likely approachable estimate.

The prints section adds another layer. Eveline Syme’s *The Duomo Steps, Siena* is a crisp 1931 linocut, editioned at just 25, and Dorrit Black’s 1930 bookplate for S. R. Phippard is a quirky, collectable piece of her graphic work. Tschudi’s *Visiting Day* is the overseas wildcard, a Swiss artist who spent time in Australia, and it’s a strong impression in a 20-print edition. If you’re after provenance, the original frames and dates on the earlier works check out, and the lot count sits at 12 or more, so bidding should move at a sensible clip. Get your list ready and inspect before close if you can.

This one’s worth a look if you’re after wall art with some variety. The collection leans on abstract and surrealist themes, but the lot list suggests a decent spread across periods and approaches. You might find bold colour-field pieces sitting alongside more dreamlike, figurative works, so it’s not a one-note catalogue.

Lawsons runs these weekly sales from Annandale NSW, and they’re known for moving a lot of decorative art and collectables. For this Melbourne-based collection, the standout appeal is the range: if you’re furnishing a place or flipping frames, there’s likely something here. Check the condition reports before bidding, as mixed collections often hide a few surprises, both good and bad. The close date is 15 September 2026, so there’s time to sort through what’s on offer and line up your bids.

Burns and Co have built a name for themselves digging out quality classic car and bike gear, and this one is straight from a serious hoarder’s shed. The Walter Jobson Collection is the kind of find that doesn’t turn up often: decades of accumulated dealership signs, enamel advertising, fuel pumps, and motorcycle parts, all in one hit. Part one means there’s more to come, so if you spot something here, it’s worth chasing now before the later rounds get picked over.

Standout lots include original dealer boards and tin signs from the 1950s and 60s, plus a swag of NOS (new old stock) motorcycle components, which are gold for restorers. There’s also a mix of workshop manuals, brochures, and period photos that add context for anyone documenting a specific marque. Bidding is via the usual online platform, with delivery arranged from Bayswater, so factor that into your logistics if you’re interstate. Check the full lot list early, because with a collection this size, the good stuff will get buried in the listings.

This is a proper enthusiast’s clearance from Burns and Co, delivered from Bayswater. The Park collection spans decades of petrolhead obsession, with standout lots like a restored 1970 Ford XY Falcon GT in factory-correct paint and a numbers-matching 1967 Chevrolet Corvette Stingray with the 327 V8. Motorcycle fans get a 1972 Norton Commando 750 Roadster and a 1966 Triumph Bonneville T120R.

Beyond the vehicles, the memorabilia is deep. Expect original dealership signage, period-correct toolkits, service manuals, and a run of diecast models. The auction closes 29 June 2026. Buyers should factor in transport from Bayswater to their door.

This is a proper photographer’s estate sale, not a random box of junk. Tom Hellwege was a serious collector, so the lots span early plate cameras through to mid-20th century rangefinders and SLRs. The camera bodies alone include sought-after Leica M-series and Hasselblad 500 models, plus a stack of German and Japanese glass.

Beyond the cameras, the collection includes period flash units, tripods, developing tanks, and enlargers. There are also ephemera items like original manuals, catalogues, and signed prints. Condition will vary, but Hellwege was a known curator of his gear. If you shoot film or restore vintage photo equipment, this is the sale to watch.

Buyers should check the listing for the exact close date, as it is yet to be confirmed. Viewing details will likely be posted closer to the sale.

This is the Spencer Sandilands Collection, a deep trove of Australian printed material and maritime history assembled over decades. The strength is in the books and maps: early Australian exploration narratives, rare atlases, and hand-drawn charts from the age of sail. Collectors of Pacific voyages and Antarctic expeditions will find plenty to chase.

The lot list also leans into maritime artefacts, including ship models, navigational instruments, and logbooks. If you deal in Australian or nautical ephemera, this is a targeted sale worth watching. The close date is yet to be confirmed, so keep an eye on the listing for the countdown.

This Grays auction is a focused line-up for jade buyers, not a mixed clearance. The lot list is all natural Burmese material, with the colour range spanning deep greens through to the lighter white-yellow piece. If you’re chasing a specific carat weight or colour for a setting, there’s enough variation here to compare stones side by side.

The top lot is the 7.25-carat dark green jade, which should draw the serious bids. The 8.52-carat white-yellow jade is the largest stone on offer, and it’s a different look to the greens, so it could fly under the radar. The smaller 4.45 and 5.34-carat green jades are worth a look if you want a quality stone without paying for the biggest piece.

Check the condition reports before bidding, as jade can have natural inclusions that don’t always show in photos. The auction closes on August 29, 2026, so there’s time to do your homework. Grays is running this one from NSW, and with only 18 lots, the whole thing will wrap quickly once the timer starts.

The WINTER WARMER sale leans heavily on the kind of stock that keeps regular auction-goers coming back: proper antique furniture, porcelain and ceramics, plus a solid run of Asian art and decorative objects. If you’re after something for a display cabinet or a sideboard, this catalogue has plenty of depth.

Silver is always a safe bet at these sorts of auctions, but the real interest here is the mix. Paintings and framed prints sit alongside unusual collectables, so there’s a bit for the serious dealer and the weekend fossicker alike. General goods round out the list, which often means tools, household items and the odd surprise.

Bidding closes on Sunday, 30 August. It’s worth checking the full lot list beforehand, because with a mixed catalogue this size, the good stuff can get buried. Cattai is a short drive from Sydney’s northwest, and Bargain Hunt Auctions has a track record of moving this kind of stock at reasonable money.

This one’s for anyone chasing a bit of warmth underfoot without paying city showroom prices. The kilim selection spans flatweave designs in traditional geometric patterns, plus a few softer, contemporary colourways that’ll slot straight into a modern lounge room. Sizes vary from small scatter rugs up to room-sized pieces, so there’s something for a hallway, bedroom, or main living area.

Lawsons runs these weekly sales out of Annandale, covering everything from furniture to decorative arts, but the kilims are the drawcard here. Because it’s an online-only format, you’re bidding against the whole country, and the free shipping angle takes the sting out of freight costs. Check the condition notes on each lot, as some pieces show age-related wear, but that’s part of the charm with vintage textiles. Bidding closes on 30 August, so give yourself time to sort the keepers from the threadbare.

Theodore Bruce, an auction house operating since 1878, is handling this estate sale from the late John Yu AC, a respected Sydney paediatrician and art patron. The mix spans Australian modernism, African sculpture, and Chinese printmaking, giving buyers a chance to pick up pieces from a well-documented private collection.

Standout lots include two Chris Capper oil-on-canvas works, *White Flowers*, and a 1958 abstract by Carl Plate. The African section is strong on Shona sculpture: a serpentine figural piece by Tawanda Makore, a granite work by Damien Manuhwa, and a soapstone *Wise Boy* by Bernard Takawira. For contemporary buyers, Su Xinping’s 1995 lithograph *Sea of Desire No 3* adds a Chinese art angle.

Check condition reports before bidding, as some works are on board or card and may show age. The sale closes on 30 August, so register early with Theodore Bruce to avoid last-minute delays.

This sale draws from the library of the late John Yu AC, a respected Sydney paediatrician and noted collector of Asian decorative arts. The 12+ lots lean heavily toward reference works that rarely hit the open market, particularly in this condition.

The standout is Battiss’s *The Artists of The Rocks*, signed and numbered 252/500, a cornerstone for anyone serious about South African modernist art history. The Mok Family Collections volume, with its parallel Chinese and English text, offers a detailed look at one of Asia’s significant private holdings. For textile specialists, the Yoshimoto titles cover gold-printed Indonesian textiles and traditional dyeing, while the Daalder volume on ethnic jewellery spans Australia, Oceania, Asia, and Africa in its first edition.

Buyers should note the close date is 30 August 2026, so there’s time to research. The Chinese-language editions, including the fabric and embroidery corpus, will appeal to collectors who read the originals. Given the source, condition is expected to be strong, but as always, check the lot images and any condition reports before bidding.

This one’s for the wall, not the garage. The Alec Monopoly piece brings that bold, cash-and-crowd energy straight off a New York street corner, while the Banksy (After) *Think Tank* resin sculpture gives you a solid conversation starter without the seven-figure price tag that comes with an original. Death NYC’s signed prints are the kind of thing that moves fast when they hit the secondary market, so check the condition notes closely.

Grays has kept this one small and focused, which suits buyers who know exactly what they want. No bulk lots, no machinery, just 10 pieces of contemporary pop art with strong name recognition. If you’re after something with a bit of edge for the office or the rumpus room, this is worth a proper look before close.

This isn’t a bulk jewellery grab, it’s a focused trio for anyone after a specific ring without the retail theatre. The yellow diamond piece is the headline act, carrying that SI2/S clarity and colour grade, and the CGL certificate gives you something to verify before you bid. If you’re after a more classic look, the 1.01ct centre stone with F/VS2 specs and 34 side rounds is a solid, traditional engagement setup that holds its own.

The third lot mixes it up with a baguette-and-round pairing, 0.25ct and 0.40ct respectively, which suits a more art-deco or vintage style. All three are handcrafted, so you’re paying for the setting and the stone, not a brand name. With only three lots, the auction will move quickly, so check the grading reports and set your budget based on the stones, not the polish. Grays is handling the whole thing, and the close date gives you plenty of time to do the homework.

Theodore Bruce, an auction house operating since 1878, is putting up a well-curated selection of tribal pieces that spans the Pacific. The lot list covers classic material from Easter Island, including both a Moai Kavakava and a Moai Tangata, plus a strong run of Papua New Guinea items: a Brag mask from the Ramu River, a named personal spirit mask, and a Lumi war shield from the Torricelli Mountains.

Carved wood figures feature heavily, with pieces from the Marquesas Islands, Buka Island in the Solomon Islands, and a female portrait figure in hardwood. There is also a Nalot pudding knife from Vanuatu and a 19th or early 20th century thumb piano (M’bira) from the Shona people of Zimbabwe. The crossbow, possibly Vietnamese, with its animal skin quiver and six darts, is an unusual addition that should draw attention from collectors of ethnographic weapons.

Buyers should note the auction closes on 31 August 2026, so there is time to research provenance and condition reports. With 12 or more lots, this is a focused sale rather than a massive dump, which means quality over quantity. Expect serious bidding on the Easter Island and Sepik River pieces, as those regions consistently attract strong interest.

This one’s for the browser who likes a proper dig through someone else’s lifetime of taste. The portfolio leans on classic antiques and solid mid-century furniture, but the real interest is in the smaller lots: signed books, silver and jewellery, and the kind of decorative objects that don’t surface in every weekly sale. Paintings are scattered through, so there’s a chance to snag something with a bit of provenance without the gallery price tag.

Lawsons run a steady weekly operation out of Annandale, so the cataloguing is consistent and the pickup logistics are straightforward. If you’re after wine, check the condition notes carefully; if it’s furniture, factor in transport from Sydney’s inner west. Bidding closes on 31 August, so there’s time to inspect in person or online, but the good lots will pull attention early.

This one’s your classic Lawsons weekly auction, the kind where the lot list reads like a tip shop with better taste. You’ll find solid timber sideboards and dining tables sitting alongside quirky decorative objects, with a few decent paintings and a wine selection that could pad out a cellar. Jewellery lots are worth a look too, often turning up as job lots with a few surprises buried in the tray.

The furniture side tends to draw the most attention, particularly anything with a maker’s mark or a decent timber. Books are usually boxed and sold as lots, so you’re not paying per title. If you’re after something for a rental, a workshop, or just to flip, the bric-a-brac and smaller household items are where the value sits. Bidding closes on 1 September, so check the catalogue early and pick your lots before the last-day rush.

Lawsons’ weekly auction in Annandale pulls together a rotating mix of antique and modern furniture, paintings, prints, wine, jewellery, and decorative arts. The collectables category is the draw here, but the supporting cast of bric-a-brac and books means regulars can find a bargain in any corner. If you’re after a specific artist or style, it pays to scan the full catalogue, as the lots shift noticeably from week to week.

For buyers, the close date is set for 2 September 2026, giving you time to inspect. The auctioneer’s notes point to a steady turnover of estate and private consignments, so condition and provenance will vary. Check the lot photos carefully, and if you’re bidding on furniture or larger decorative items, factor in pickup from Annandale. It’s a straightforward weekly sale, but the variety is what keeps it worth a look.

Lawsons’ weekly Furniture & Interiors sale is a solid bet for anyone kitting out a home or chasing a specific oddity. The catalogue spans serious antique pieces through to practical modern furniture, so it’s not just one style of punter in mind. Books and wine add a bit of variety, while the jewellery and decorative arts section often throws up something worth a closer look.

The collectables side is where the real digging pays off. Paintings and bric-a-brac can go for pocket money if you’re early, but check condition notes carefully. Annandale is a easy run from the city, and with a regular weekly slot, you can afford to be selective rather than chasing the first lot that catches your eye. If you’re after furniture, bring measurements and a plan for transport, because some of the larger pieces will need a trailer or ute.

Lawsons, based in Annandale, runs these weekly sales as a reliable circuit for both pickers and home-stagers. The strength here is variety: you’re not locked into one niche, so the catalogue reads like a rummage through a well-kept estate rather than a specialist auction. That suits buyers chasing a bargain on a single item or a truckload of mixed goods.

Look for the usual suspects in antique and modern furniture, but don’t skip the smaller lots. Jewellery and decorative arts often slip under the radar, and the wine and book sections can turn up decent value if you’re patient. Paintings are worth a browse too, even if you’re not a dealer, as the condition and provenance vary wildly.

Check the lot list closely before the close date, as condition reports are thin and photos do the heavy lifting. If you’re after something specific, the weekly turnover means you can bid, miss, and try again next week without stress. For anyone within reach of Sydney, it’s a straightforward way to clear a Saturday morning.

This one is for the serious collector, not just someone after a pocketful of spare change. The catalogue spans the full spectrum of Australian numismatics, from colonial-era copper through to modern commemorative issues. Banknotes are a key draw, with early Commonwealth and decimal replacement notes likely to attract the strongest bidding. The stamp section includes both classic roos and later pictorial issues, with condition varying widely, so inspect the lots in person if you can.

The medallions and military pieces add another layer, often overlooked by coin collectors but worth a look for the history alone. Lawsons runs these weekly sales out of Annandale, so the auction house knows how to move volume, but the depth here suggests a single vendor’s lifetime accumulation rather than a picked-over estate. If you specialise in a particular reign or denomination, this is a chance to fill gaps without paying dealer prices. Just set your own limits before the close, as the bidding tends to firm up late.

This one’s a cut above your typical weekly clearance. The stylist’s eye for timeless pieces means the lots lean toward investment-grade leather goods and statement items, not just fast-fashion cast-offs. Look for structured Chanel flaps, Gucci loafers, and silk scarves that’ve been cared for properly, along with lesser-known European labels that’ll fly under the radar for the casual bidder.

Lawsons runs a tight ship at their Annandale rooms, with weekly auctions that pull a regular crowd of dealers and collectors. That means bidding can get sharp on the obvious big-ticket items, but the deeper you dig into the lot list, the better the value. Check the condition notes carefully on each piece, as some items show light wear from styling work, and a few may need a professional clean. If you’re after a specific designer piece, it’s worth scrolling through the full catalogue early and picking your targets before the close on 3 September.

The standout here is the pair of Grand Old Parr bottlings, both described as “Real Antique and Rare Old De Luxe” and aged 152 years, dating from the 1970s. That’s a label with serious provenance, and the sort of thing that draws a crowd. The Corby’s Park Lane 15 Year Old from 1957 is another one for the history buffs, a Canadian blend you don’t see every day. For the more modern palate, there’s the Hibiki Japanese Harmony, a Johnnie Walker Blue Label in the 1L format, and a Dark Lark Tasmanian single malt, which is a nice local nod. The Chivas Brothers Royal Salute Sapphire Flagon is the kind of piece that sells on presentation as much as the liquid, and the Dimple 15 Year Old and Glenfiddich Special Old Reserve round out a well-considered list. Theodore Bruce has been at it since 1878, so they know how to run a catalogue. This is a timed online sale, so check the close date and get your bids in early if something catches your eye. No reserve games here, just a straight-up selection of whisky that covers everything from everyday drinkers to true collectables.

Lawsons’ weekly sale format means this catalogue is a rolling mix, but the European art focus here gives it a tighter feel than their usual grab-bag. The 17th to 20th century spread covers a lot of ground, from Baroque-era religious works to later Romantic and Modernist prints. If you’re chasing decorative antique frames with original paper, or a name-piece to research further, this is the kind of auction where patience pays.

Note the drop-shipping arrangement to Lawsons, so factor in delivery or collection logistics if you’re bidding from outside Sydney. The lot list will fill out closer to the close date, but given Lawsons’ track record, expect a handful of Continental school oils, possibly some Dutch or Italian old masters, and a run of 19th century engravings. For buyers, the key is checking condition reports early, as age-related foxing, tears, and restoration are common in this bracket. Bid on the piece, not the attribution, and you’ll find value.

Lawsons’ weekly collectables rotation lands on the drinks cabinet this time, and the lot list reads like a working cellar rather than a garage clear-out. The wine section is the headline: look for aged Barossa shiraz, Hunter Valley semillon, and a run of French Bordeaux that’s been stored properly, not baked in a bookshelf. Spirit-wise, there’s Japanese whisky, aged rum, and a few bottles of cognac that’ll draw the serious collectors out.

The cigar lots are worth a look too, with sealed boxes and humidor-stored stock that’s harder to find locally than the booze. Lawsons runs a tight ship on condition reporting, so check the individual photos for fill levels and label wear. Bidding closes on 3 September, and the weekly format means the auctioneer will move through the lots quickly. If you’re after a specific vintage or a box of Cubans, register early and have your max bid ready, because the last few minutes on each lot get competitive.

This one’s a classic unclaimed goods auction, where lost mail that never found its owner ends up as your bargain. Theodore Bruce, the old Sydney firm that’s been at it since 1878, has put together a mixed bag of fashion and accessories that skews toward jackets and coats, so it’s a decent chance to stock up on layering pieces without paying retail.

The standout is the wedding dress, a size 20, which could be a serious score if you’re planning a ceremony on a budget. Otherwise, the brands are a cut above the usual op-shop rack: Henne, Bardot, Fabletics, Gondwana, Crane, and Sure all appear, and the sizes run from XS through to 16, so there’s something for most frames. The Halara pants and the Carhartt hoodie are likely to draw attention, but the Calenzano leather jacket is the one to watch if you want something with a bit of character.

Check the photos carefully, because condition varies on unclaimed stock, and there’s no returns on this kind of sale. Bidding closes on 5 September, so get your bids in early and be prepared to pay a buyer’s premium on top.

Lawsons, based in Annandale, has put together a weekly clearance that leans heavily on home contents, so there’s a bit of everything for pickers and furnishers alike. The Jamberoo catalogue mixes everyday practical gear with more decorative pieces, meaning you can chase a decent dining table and a set of vintage glassware in the same session.

Wine and books are always worth scanning here, as are the smaller lots like jewellery and decorative arts, which often slip under the radar. If you’re after something specific, check the lot list early, because the range is broad but the quantities are limited. Bidding closes 5 September, so give yourself time to sort through the catalogue and plan your moves.

Lawsons runs these weekly sales as a reliable mix of house lots and dealer stock, so expect a bit of everything rather than a single themed collection. Furniture is usually the backbone, with solid timber pieces and occasional repro items, while the books and wine sections tend to draw steady interest from regulars. Jewellery and decorative arts often hide the sleeper lots, so it pays to scroll through the full catalogue rather than just the photos.

The Annandale pickup is straightforward, but check the listing for collection times and any condition reports if you’re bidding on fragile or bulky items. Paintings and bric-a-brac can be hit or miss, but that’s where the value sits if you know your stuff. No need to rush, just pick your lots and bid sensibly.

Theodore Bruce, running since 1878, has pulled together a collection that leans heavily on quality decorative pieces rather than bulk household filler. The standout is the Hans Welling for Ceramono vase, a West German piece that collectors chase for its glazed finish and figurative design. The Chinese Famille Noir ginger jar from the Republic Period and the Sri Lankan Sanni mask with its articulated jaw are the sort of lots that draw serious bidders, not just weekend browsers.

For art buyers, there are two oil on board works, one by Victor Haj titled "At Outer Harbour" and an unattributed "Harbor View", plus a mixed media pair of Australian birds. The seven Villeroy & Boch "Scenes of Australia" cabinet plates are a neat local-themed set, and the four prints including Thomas Baines’ "An Explorer’s Camp" round out the paper goods. The timber decoupage box and carved warrior mask add further texture to the sale.

Bidding closes on 6 September, and with 12+ lots on offer, it is a manageable catalogue to inspect closely. Onsite in St Ives means you can view the pieces in person before committing, which matters for condition-sensitive items like the chandelier and the masks. If you are after distinctive home pieces or Australian art with provenance, this one is worth a look.

Lawsons’ weekly catalogues are a staple for anyone chasing older furniture with real bones, and this one’s no different. You’ll find timber sideboards, dining tables, and chairs that’ve done the rounds, sitting alongside glassware, ceramics, and silver that could clean up nicely. The book section is worth a dig, too, with a rotating run of auction-house staples like illustrated plates and leather-bound sets.

On the booze side, the wine lots are split into single bottles and mixed cases, handy if you’re after a drinker rather than a cellar queen. Jewellery and smalls are where the quiet value tends to hide, so flick through the photos before the close. Bidding runs to a set finish on 7 September, and pickup is Annandale, so factor in a trip across the bridge if you’re coming from the north shore.

This is a wardrobe clear-out with a fashion-week flavour, not a jumble sale. The lots lean heavily toward cocktail and event dressing: Rachel Gilbert’s nude-tone tulle mini, Red Valentino’s embroidered satin tea dress, and a Proenza Schouler printed viscose skirt all point to someone who dressed for weddings, launches, and long lunches, not the office. The black-and-white thread runs through several pieces, so there’s a coherent palette if you’re chasing a capsule.

The Moschino Cheap & Chic cropped jacket in cream and black acetate is a standout for the label alone, while the Aje logo sweater gives you a casual option in the mix. Kate Spade’s silk tea dress and the Maje broderie skirt are solid entry points for buyers who want designer names without the boutique price tag. Sizing is the catch: these are small frames, so if you’re a size 10 or above, most lots won’t fit, but they’d make sharp gifts or resale stock.

Theodore Bruce has been at this since 1878, so the process is well-worn. This is a moving clearance, which means the vendor wants it gone, and bidding should reflect that urgency. Check the condition notes for each lot,

Lawsons’ regular weekly sale at Annandale pulls together a bit of everything, which is exactly the point. You’re not coming here for one hero lot, you’re coming for the mix. Furniture spans both antique and modern, so there’s solid potential for a decent dining table or a sideboard without paying showroom prices. The book section is worth a browse, and the wine and jewellery lots tend to draw a crowd, so factor that into your bidding.

Paintings and decorative arts sit alongside the collectables, which means there’s usually something for a niche interest, whether that’s a piece of porcelain or a framed print that’ll fill a bare wall. Bric-a-brac rounds it out, so if you’ve got the patience to dig, there’s often a sleeper lot hiding in there. Check the full catalogue ahead of the 8 September close, and have your bids ready early, because the weekly format moves quickly once the timer starts winding down.

Lawsons, the Annandale auction house known for its weekly turnover of furniture, books, wine, jewellery, and decorative arts, has slipped a niche lot into its schedule: two NSW heritage plates from one owner. Heritage plates are a finite pool, and the low-digit option here is the kind of thing number plate collectors will circle. The second plate carries the older-style format, which gives the pair some variety for anyone looking to hold or flip.

The auction closes on 9 September 2026, so there’s no rush, but the single-owner angle means the provenance is clean and the paperwork should be straightforward. Registration transfer through Service NSW is part of the deal, so factor that into your bidding. If you’re after a tangible collectable that doesn’t take up shelf space, this is a tidy pick-up.

Raffan Kelaher & Thomas have pulled together a focused vendor’s collection that rewards a patient eye. This isn’t a grab-bag of random silver; it’s a curated run of Georg Jensen’s signature styles, from the sinuous Art Nouveau grape patterns to the cleaner mid-century forms. Look for the classic Acorn and Blossom flatware services, plus the iconic Cactus pattern, which always draws serious bidding from collectors who know their Danish silver.

Beyond the tableware, the jewellery lots are worth a close look. Jensen’s hollowware bowls, vases, and candlesticks carry the distinctive hammered surfaces and sculptural handles that made the firm famous, and the earlier pieces here show the finer hand-finishing that separates them from later mass-produced runs. Check the hallmarks carefully, as rkta has done the legwork on dating and attribution, but the condition notes are your friend.

Buyers should factor in the 2026 closing date, which gives plenty of time to inspect the collection in person at the Leichhardt rooms. If you’re after a complete setting or a statement centrepiece, this is a rare chance to grab multiple matching pieces from one estate without chasing them across separate auctions. Bid on the lots that speak to you, but know the full flatware services will likely go for a premium.

This is a regular Aalders sale, so the catalogue covers the usual ground for Sydney collectors and dealers. The strength is in the mix: you get fine art alongside serious antique furniture, which makes it a good hunting ground for both the decorator and the investor.

The jewellery section is worth a close look. Look for vintage and modern pieces, often with hallmarked silver and gold. On the decorative side, expect porcelain, glassware, and Asian works of art to appear. The antique furniture includes solid timber pieces, sideboards, and display cabinets that suit the period home.

If you are after a specific category, check the online catalogue early. These sales draw a crowd, and the good lots get spotted quickly. Bidding is straightforward through the online platform, with standard buyer’s premium applies.

This is a tightly curated collection, not a scattered garage clean-out. The *Silent Structure* series (I through VI) forms the backbone, six pieces that explore form and negative space. *Carmim* and *Silêncio Submerso* add a separate thread, with the latter suggesting a deeper, waterlogged palette. The *Hatching Composition* quartet rounds it out with a more graphic, line-driven energy.

For buyers, it’s a chance to secure multiple works from the same hand in one sitting, which is often harder to do than picking up a single piece. The close date is set for October 2, 2026, so there’s time to research the artist and decide which lot, or lots, you want to chase. Given the small lot count, expect competition on the standout pieces. Bid with a plan, not just enthusiasm.

The Bunnykins set is the pick for ceramic collectors. You’ve got the 60th Anniversary piece from 1993, the Father and Mother figures from the 2005 International collectors’ club, plus the older Cook Bunnykins from 1990. All reported in excellent shape with no cracks or repairs, which is the main thing to check on these.

Book lovers should look at the 1974 single-volume deluxe Lord of the Rings from George Allen & Unwin. It’s the India paper edition with fold-out maps and the Númenórean throne design stamped on the front. There’s some creasing and a small map tear, so factor that in if you’re chasing a pristine copy.

Elsewhere, the Franklin Mint 1:16 scale Al Capone Cadillac comes with a signed certificate of authenticity. The green Imperial glass butter dish and the Joseph Inwald crystal decanter are decent vintage pieces, though the decanter’s stopper may be a replacement. The apothecary scales are sold as found with replacement cords and surface wear, so bid accordingly. A batch of Canberra-area union and club badges adds local flavour, plus there’s a mix of stone necklaces and a Leoncini hand-painted canister. Lots close September 1.

The collectables side is strong here. The Galaxy Invader 1000 is a proper slice of late-70s gaming history, and the Sturmanskie Amphibia is a serious mechanical diver’s piece, not a fashion watch. Wrestling fans get a pair of vintage Nikolai Volkoff WWF figurines, while the Barbie lot includes boxed Teresa and Ken figures.

Jewellery and accessories cover a fair spread: a 14ct yellow gold and smoky quartz ring in size O, a 925 sterling silver Siam brooch and earrings set at 19.56gms, plus a sterling hematite pendant on a 40cm chain alongside a multistrand cultured pearl wire necklace. There’s also a nine-lot collection of gold and silver tone necklaces.

Pop culture odds and ends round it out. A vintage canvas Wonder Woman backpack, a Russell Super Coca-Cola yo-yo with its original spare string, and an unframed daybill poster for *Batteries Not Included* (a M.A.P.S. lithographic print) should draw a look. The opals are uncut, so they’re for someone who knows how to spot a stone’s potential. Closes 4 August.

This is a genuine mixed-bag clearance, and the sort of catalogue where you can fill a cabinet or a display case without leaving the house. Coins and banknotes are always a solid starting point here, but the militaria section is worth a dig through for medals, badges, and edged weapons. Stamp collectors will find album lots and individual rarities, while the art and jewellery offerings cater to those after something with a bit more polish.

AAAC has a track record of specialist and general collectible auctions, so condition and grading are handled properly. With 510 lots, the volume means plenty of room for a bargain, but it also pays to scan the full catalogue early and shortlist what you’re after. The unreserved nature of the sale is the key drawcard, so expect competitive bidding on the better pieces rather than any reserve-driven dead air.

If you’re after vintage homewares, porcelain, glassware, or the kind of oddities that turn up in a good estate cleanout, there’s likely something here for you too. Given the spread of categories, it’s worth checking the lot photos closely and factoring in buyer’s premium before you commit. Brisbane locals can inspect in person, but online bidders should have their registration sorted ahead of the close date.